Eleven sachets of Pocari Sweat, all unneeded.

Part 1: Introduction to Ishinomaki / Part 2: Floating Lanterns
Part 3: The Festival / Part 4: Oyster Farming / Part 5: Camp Life

 

Conditions in Ishinomaki, Miyagi prefecture were both better and worse than I expected. The city has, in many ways, been the symbolic focus point for volunteer groups and the results are obvious. I had seen the photographs from March, and I couldn’t have predicted how far the area would come since then. Even volunteers who went a month ago expressed surprise at how successful the clean-up around the station had been.

But wake-up calls are common. You could be enjoying yakitori at a festival and suddenly notice that the car park across the road is flooding. Or sleeping after a rewarding day at an oyster farm with your fellow team members, when you’re woken up by a shindo level four earthquake and you worry about the fishermen you worked alongside that day. Or eating ice cream outside a workshop in a tiny fishing village, surrounded by scenic pine trees and tsunami wreckage.

I don’t think I could prepare you for volunteer work in Ishinomaki. but I’m going to try.

I brought eleven sachets of Pocari Sweat to mix with water in my Thermos for rehydration during the day. Eleven totally unnecessary sachets. Not even my massive roll of duct tape was needed. After consultation with people who had been previously, I’d brought waterproof trousers and jacket, insoles for boots and two types of gloves. I wore the jacket and trousers, if only because I could, but the rest went unused.

Circumstances really did change every week and my advisers had been the very same people who’d been told to bring individually-wrapped food for every meal. We were provided with bentos for lunch and dinner.

The lunch bentos were always the same. Two onigiri from a random selection of konbu, katsuobushi and umeboshi and a piece of fried chicken. Dinner was a large bento consisting of meat or fish, a few things seemingly chosen at random (shumai, spaghetti, sweetened lima beans) and a portion of rice.

So that’s the food. How about the portable toilets? My first experience was of using them in the dark, something I would never do again. I didn’t even find the “foot pedal” (located at knee height) on the first attempt. Later expeditions would see me roll up both trouser legs and turn on my head-mounted torch before entering the tiny cabin. On one memorable morning, I almost threw up from the smell. And yet, not bad considering where we were. Previous volunteers have worse tales.

Entrance to the onsen, mountains in the background.

We were busy with the festival on the first few nights, so it took us a while to find the Co-op, located about 25 minutes away from the camp at Senshu University. Inside, it didn’t look any different from a supermarket in Tokyo. There were snacks which I bought to share with everyone during the day and there were toilets too. Once the festival was over and the curfew had returned to eight o’clock, we found ourselves going pretty much every evening.

Most of us were staying for eight days, so we had to wash. For that, we went to an onsen (hot spring), where you have to get naked in front of a room full of people if you want to get clean. My situation was probably a bit unusual as I’m transgender, but I was too far gone to care by that point. Although I felt uneasy, I stripped off like everyone else. That was my approach to living in close quarters in a tent for over a week — I can deal with it and I can do it. And I did.

One of the most endearing aspects of camp life was our morning routine. Before Radio Taisou, we sang the Anpanman theme song [YouTube link]. The first time we sang it (on the second day), it seemed inspiring but benign. By the third day, volunteers could be caught secretly humming it. After that, people would try singing anything to get it out of their heads, all to no avail. It’s stuck there forever, guys.

You probably want to do this right now. Believe me, it’s an experience that will stay with you your entire life and help a community in need. If you’re confident about your Japanese, you can join the short-term volunteer teams. Personally, I wanted English help should there be an emergency (I imagined there would be many — there weren’t) and I joined one of the international teams. These consist of a number of English speakers, five in our case, and one bilingual team leader. The downside was that the short-term option wasn’t available to me and I needed to stay the full eight days.

I hope that Japanese companies, particularly those based in Tokyo, start realising the benefit to their business in allowing workers time to volunteer up north. While we were there, we also worked alongside teams from Toyota and Nomura, as well as school teachers. They’ve made a wise choice and I hope that dispatch companies (hakengaisha) who employ foreigners like me will follow their lead.

Anyway, you want to do all this too, right? Start here, with Peace Boat.

Ishinomaki: Behind the workshop at Kobuchi-Hama.

Part 1: Introduction to Ishinomaki / Part 2: Floating Lanterns
Part 3: The Festival / Part 4: Oyster Farming / Part 5: Camp Life

 

Kobuchi-Hama is a tiny fishing port on the Oshika Peninsula, which is to the south-east of central Ishinomaki. On the bus down there, we passed whole villages that had been wiped out entirely. Due to the tsunami, every stage of the oyster farming process had been interrupted and fisherman had lost not just their families and homes, but their livelihoods too.

The Oshika Peninsula was the closest point to the earthquake’s epicentre on Honshu (the main island of Japan). The area surrounding the main building in Kobuchi-Hama is covered with a tangle of ropes, nets, buoys, the odd washed-up boat and — often — nothing where there used to be something. The land mass shifted violently; we had to leave before four o’clock every day because the workshop now lies below sea level at high tide. This is worth remembering every time someone complains that a tsunami advisory of “just 50 centimetres” is meaningless.

I didn’t know anything about oyster farming before I came to Ishinomaki. If asked, I would’ve initially guessed that people collect wild oysters from rocks, and then realised that would be too time-consuming. Admit it, you’ve never really thought about it either.

First, the oysters grow on shells threaded together on thick wire, with small plastic tubes separating them out. There’s a photograph of how the shells look before the oysters start growing below, but having not been there for this part of the process, I’m not really clear on this section at all. I don’t know how the oysters get on them, because the next time I saw them we had jumped a stage, to cutting the cords and emptying the shells with the oysters already growing on them into large yellow baskets

The shells arrive packed on a large wooden pallet, brought by a forklift truck. Three or four people pull off the chains of shells (about double the length of your arm), cut them in the centre with wire-cutters and throw each half into a basket. Everyone else grabs one section and removes the wire. This is a little more difficult than it sounds, because there is a metal knot over one end; you have to grab the final shell and shake the rest loose. You then have to get the final shell, but often barnacles have grown over the knot and you have to either work it loose or smash it.

Ishinomaki: The shells where it all starts (even though I don't know how!).

For about an hour, there’s a flurry of activity as people move the shells off the pallet and into the baskets, while everyone else tries to separate them before more are dumped on top.

Next, we attached these shells to ropes. But first we had to retrieve said ropes from the tsunami debris covering the docks. They were twisted around metal poles, knotted around rusted spikes, threaded through nets and covered in seaweed and mud. Some of them weren’t long enough and some didn’t have the necessary loop of rope at the end. Sometimes we would pull three quarters out, only to find that the last quarter went straight into the heart of the knot. Once we got them out, we laid them out straight in the mud to be wound up and tossed into a basket. Our team retrieved more ropes than anyone expected, but this was by far the hardest task of the week.

Attaching the shells to the ropes was the most common task for our team and we would spend whole days doing it. There were about ten baskets in a row, which rested on crates so they were just above our waists. At both ends were machine with two hooks. Two ropes were hung between the hooks and they fell either side of the crates.

First the ropes were unwound, so they were slack; two teams approached the crates of muddy shells and oyster seeds from both sides and started sliding the shells into the gaps in the rope, about a fist-width apart. Three minutes or so later, a fisherman would give our handiwork a quick once over, then we would all step back and the ropes would be tightened. This involves spinning them very tightly in the opposite direction and so mud, oyster parts and less identifiable sea creatures are flung up in the air and over everyone nearby. Accompanying this is a cracking sound, like ice-cubes in a drink, as the ropes bite into the shells.

As we worked, we chatted to the fishermen, which is where foreigners are particularly useful. With us, we have something to talk about that has no connection with earthquakes or tsunami or even Japan. Or family.

So we talked about whether it was still foggy in London, whether onigiri is delicious or not and beer. Probably natto and chopstick ability were mentioned too.

On the last day, I got to go on a fishing boat. From there, the area is so beautiful. Just pine-covered trees either side, a few islands and the open sea. Then you look behind you and see the devastation around the port and you remember.

The bay was covered with a network of linked buoys; the boat pulled up alongside one and a pulley system with a metal hook at the end lifted up the linking rope. We started attaching a number of loops of rope to the newly exposed rope and heaving coils of oyster ropes off the boat. Experienced crew members held one end in their hand and threw the rest straight out so they unwound in a spiral, with the rock-filled plastic bag used as a weight going down first. I threaded mine down over the side more slowly. After that, we attached the oyster ropes to the rope loops, which were attached to the ropes linking the buoys.

The oyster ropes hang straight down underneath the water, and tsunami victims have been found caught up in them in the past. It’s no surprise that volunteers without these memories seemed to outnumber the fishermen on such trips.

While they will never read this, I would like to thank the fishermen who helped us learn the ropes as quickly as possible and were kind to us despite everything they’d seen and experienced. Thank you!

 

Ishinomaki: Behind the workshop at Kobuchi-Hama. Ishinomaki: Behind the workshop at Kobuchi-Hama.

Ishinomaki: Kobuchi-Hama is approaching high tide and will be flooded soon. Ishinomaki: Kobuchi-Hama on a summer day and at low tide.

 

To read a more coherent description of oyster cultivation, check out the entry on Wikipedia, and to read a news article that touches upon Miyagi’s oyster industry go here.

Ishinomaki Festival: The shrine made of tsunami debris.

Part 1: Introduction to Ishinomaki / Part 2: Floating Lanterns
Part 3: The Festival / Part 4: Oyster Farming / Part 5: Camp Life

 

After the devastatingly beautiful floating lanterns, our team was eager to hear what we would be doing to help out with the happier side of the festival the next day. Some teams would be carrying mikoshi (shrines that can be carried), some would be fund-raising.

It turned out we were to clean the portable toilets and the cars used for street clean-up and food delivery. That took us most of the day, and we arrived at the festival in late afternoon.

Nowhere in Japan has been as welcoming as the people of Miyagi, and even in post-tsunami Ishinomaki, this still holds true. We stopped at a number of street vendors, and bought fried buns with oyster stew inside (Kaki stew pan) and tortilla hotdogs, which came with free yakitori. We got samples of mikan juice, and the promoters were happy to pose with a carton for us.

We even found a place that sold the freshly-ground, freshly-roasted hot coffee we’d been craving. Taku of Kigokoro Cafe runs a travelling coffee shop and he’s now doing a tour of Tohoku. He offered us free coffee, but after we insisted on paying, allowed us to donate instead. Awesome guy, and if you can read Japanese, you should check out his resumé.

On the outskirts of the destroyed section of the city, a hospital was handing out kakigoori (ice shavings with syrup). I thought I was over kakigoori, but I’d never had it with condensed milk before. It was delicious, but they refused payment. Once again, everyone was so nice.

One of the highlights of the afternoon parade was a mikoshi made of tsunami debris. Let me repeat that: A tsunami took thousands of citizen’s lives and destroyed half a city, so the residents made a shrine out of the debris and paraded it through the streets. That is one hell of a ‘f*** you’ to any natural disaster that dares show its face here.

On a sour note, a ton of so-called “Christians” decided to show up and tell us that the tsunami was our punishment and we needed to repent. By the time I’d seen the fifth or sixth blank-eyed little git holding their obnoxious yellow signs with their stupid loudspeakers reciting their views in Japanese, I was begging my team leader to let me break protocol and Have Words with them. They never made eye contact, their lips formed into an immovable pout and there was not a shred of kindness — Christian or otherwise — in their eyes. How dare they.

Once the fireworks started, however, their Bible verse was drowned out with music, camera shutter sounds and commentary from a nearby loudspeaker. Thank God.

There were fireworks donated from all over Japan, which exploded in the shape of of cats, hearts and spirals. They reflected off the water and one side of the Mangattan manga museum. Very beautiful and inspiring. Unlike the previous night, there was no noticeable absence of light where buildings used to be and no visible wreckage, so it was very easy to think of this as being like any other summer firework festival in Japan.

As we left, from the crowd I delivered a swift and decidedly weak kick to one of the sign-holders and lost my moral high ground. He never even noticed.

 

Below the photographs is a long-ish video of the fireworks, plus very short videos of the tsunami mikoshi (no longer than ten seconds!). I hope you like them.

 

Ishinomaki Festival: Free mikan juice from POM. Ishinomaki Festival: Taku, the travelling salesman. Ishinomaki Festival: Afternoon parade.

Ishinomaki Festival: The shrine made of tsunami debris. Ishinomaki Festival: The shrine made of tsunami debris. Ishinomaki Festival: The shrine made of tsunami debris.

Ishinomaki Festival: The shrine made of tsunami debris. Ishinomaki Festival: Firework festival.

 

 

 

 

Lanterns made by local schoolchildren lined the streets.

Part 1: Introduction to Ishinomaki / Part 2: Floating Lanterns
Part 3: The Festival / Part 4: Oyster Farming / Part 5: Camp Life

 

Floating lanterns are usually in memory of the dead, but this year in Ishinomaki, the main aim was specifically to console the spirits of those who lost their lives in the tsunami and earthquake. According to the unofficial “fan” website, each lantern has the name of a tsunami victim written upon it.

When I first heard about the floating lantern festivals of Japan almost ten years ago, my aunt had recently passed away. I asked my Japanese teacher if I would be allowed to launch a lantern-boat for a relative at such a festival, even though I wasn’t Japanese, and she said it would be okay. Even though the idea was merely theoretical, her answer touched me at a difficult time. Since then, Bon dances and the floating lanterns have felt special to me.

The lanterns themselves (in the case of Ishinomaki) consisted of a round waterproof paper tray with a candle and coloured paper forming a rectangle around it. Of course, you can’t just buy 10,000 waterproof paper trays, which was where our team came in. On the morning of the festival, we systematically sprayed the lantern bases with waterproofing liquid, piled them in pyramids so they could dry and then stacked them again.

Before the lanterns were launched, there was a carnival-like atmosphere in the city centre. Food vendors, free mikan juice from POM and charity suika-wari. TV camera operators lined up on the bridge in front of the Mangattan Manga Museum (The white, egg-like building in the photographs). A group of us were even asked to help light the candles around the ceremonial site. The vendors and matsuri are for another post though, and the mood quickly shifted once the event got underway.

As the first lanterns were released, Buddhist chants played over the loudspeaker. Most people around me got out their cellphones and took pictures until the prayers started. I wouldn’t have dared to take pictures myself otherwise.

 

Ishinomaki Kawabiraki: Floating Lanterns Ishinomaki Kawabiraki: Floating Lanterns Ishinomaki Kawabiraki: Floating Lanterns

Ishinomaki Kawabiraki: Floating Lanterns Ishinomaki Kawabiraki: Floating Lanterns Ishinomaki Kawabiraki: Floating Lanterns

 

The sky got darker until we could really see the lanterns and the prayers and chants continued. The section on the other side of the river is comprised of gutted buildings and rubble beyond; in most cases the lighting comes from floodlights presumably set up to discourage criminal activity. In near darkness, the lanterns floated by in complete silence. It was lonely and heart-breaking.

The priests started chanting the names of everyone who had been killed in the recent disaster. I couldn’t pick out individual names, just the rhythmic murmur of voices. It would take them hours to go through them all. It’s the same number of paper lanterns we waterproofed.

 

 

 

The first part of this series was an introduction to Ishinomaki, which can be found here. You can also visit the Official Kawabiraki Website or read another volunteer’s account of the festival.

Part 1: Introduction to Ishinomaki / Part 2: Floating Lanterns
Part 3: The Festival / Part 4: Oyster Farming / Part 5: Camp Life

 

At first glance, Ishinomaki looks like a run-down tourist town that has seen better days. Strangely though, there’s an abundance of new, cheap buildings, so presumably it’s on the verge of a revival. Even more strangely, a middle-aged woman on a bicycle sees our bus as we approach and bows. Not many people notice as it’s about seven in the morning, and we left Tokyo around 10pm, and we’ve been travelling all night. I wish I’d been awake enough to respond.

 

 

That first impression changes as you get closer to the city centre. The ground is a little dustier and there are cracks in the pavement and open gutters. The statues, from Kamen Rider creator Ishinomori Shoutarou, and found around Manga Road, look fairly polished and warn of watching security cameras. Then there are the buildings. Softbank has a shiny new shop near the station and the convenience store inside said station looks no different from the ones in Tokyo. Gutted shops lie sporadically in between and the covering of the shopping arcade is badly damaged. Some areas flood at high tide.

 

 

Go further, and you’ll find the start of the section of the city that was completely flattened. Around 40% of Ishinomaki lies in rubble, with just a few houses barely standing. Unlike the UK, Japanese homes usually have the surname of the occupants listed on the outside. Where the walls are still standing, you can easily read the name of the person who used to live there.

 

 

I remember one house, the front was torn off and the clock inside had stopped at the time the tsunami hit. Outside, an empty photo album lay open in the mud, the photos scattered across the road. Beautiful handwriting that gave the precise date, occasion and location. One member of our team bent down to retrieve one of them and placed it on a nearby wall, like you would with a glove, so the owner could find it again some day.

 

 

Ishinomaki is no longer in the news in most countries outside Japan, but Tohoku clearly still needs our support. Right now, it’s difficult to tell which charities are reputable — there are charity CDs, wristbands and concerts flying all over the place. So right now, I recommend Second Harvest, which is devoting its energies towards getting food and supplies up north. However, choosing the right smaller-but-reputable charity could help even more.