Are these the actions of a man who had ALL THE TENIMYU HE COULD HANDLE?

Dream Live is what you get when you cross Wimbledon with a host club and a certain song from the Lonely Island (video, NSFW). It’s the revue version of Musical Tennis no Oujisama and takes place between plot arcs of the regular musicals in which a junior high tennis team attempt to win the nationals. Dream Live 7th was the climactic run in a seven year-long ‘first season’ and took place in Yokohama Arena in front of around 17,000 fans.

I got to Yokohama on Friday night having dashed across Tokyo from work. I was the only person there in work clothes, with everyone else in either pretty floral dresses or Dream Live T-shirts that they queued for hours to buy. Some had coordinated tennis-themed clothing with their friends.

In the lobby they had smaller booths selling the concert basics that even non-fans want to buy. I say ‘non-fans’, but there aren’t really any here. Tickets are tough to get — you call up a special number and get a lottery number, then ring back a couple of days later to find they don’t have any tickets for you. You go to a convenience store at 10 am on a Sunday morning (there will already be a girl in a pretty floral dress in front of you) and button-mash the ticket machine for 20 minutes until it stops giving you a busy signal and tells you all the regular tickets are sold out. Then your friends take pity on you (they also happen to have won 12 tickets in the lottery) and sell you one of theirs.

Today, there’s just me and my loose tie and jacket, bag full of papers on education and stuff. I only want a penlight (the limited edition sold out) and a program. Unlike theatre programs in Britain which often have a list of scenes plus song titles, these just have lots of photographs and short interviews with the stars. At the booths outside, you can buy sets of photos of every actor appearing for 600 yen each, plus posters and T-shirts. The queue will take several hours to get through, depending on the weather.

The stadium is smoky and the stage is already decked out in blue, yellow and pink rainbows and green disco lights. There’s an announcement about not filming and turning off mobile phones made by the actors who play the ichinen trio. Musicals often get actors to do this standard announcement in character in the hopes people will pay attention. Like airplane safety, you plan to follow as best as you can, but it doesn’t stop it from being part of the scenery.

The lights go out and all the penlights come on and start swaying. They’re mostly blue, because that’s both Team Seigaku and Team Hyoutei’s colour… and also the most commonly available penlight colour. They wave in time to the music and it’s like being on Pandora. Echizen Ryouma, I seeeeee you.

The giant screen above the main stage lights up and shows images of the actors dressed in their tennis gear. The screams are piercing and people are going crazy for certain characters and teams. Speaking as someone who’s never come from the mere sight of a guy in a tennis outfit, I felt more out of place than ever. The girls next to me were jumping up and down and screaming themselves hoarse over Yagyuu.

A full song list can be found here on the Tenipuri_Myu community on Livejournal. They included some of my favourites, including “V.I.C.T.O.R.Y.” and “Aoku Moeru Honoo”.

Next, there was a staged video segment of rehearsals, which let me baffled. Some of people around me were really into some of the actors getting slapped and punished. Compared to previous Dream Lives, there were more songs and fewer skits and fancy costumes. There were more references to the actors-as-actors, rather than their characters.

Then came the First Cast. The actors that portrayed Seigaku in the very first run of the musical. Perhaps… I am a fan after all. I’ve never seen these guys as their characters live, although I will admit to being a fan of Tuti (Tsuchiya Yuuichi) when he acts as Gin in Rock Musical Bleach. Their appearance means different things to different people. It’s been seven years since Tenimyu first started and for many people this is their last chance to see the cast that started it for them. For others it’s a chance to see the cast that came before that they’ve never seen live.

They sang the iconic “Kore ga Seigaku Regularjin na no da” and a character medley from the first musical. When they did the talk segment, they seemed strangely plastic and younger than I remembered. There must have been a hell of a lot of make-up involved and possibly a bit of stage fright. The first time, they spent the entire segment having Kimeru saying other character’s catchphrases. He could’ve sung “You Got Game?” in that time instead. Second time around was much better and involved Inui’s juice.

After more songs is another talk segment with actors who portrayed characters in previous musical. At the first show I attended, this was fairly awkward. Most of them weren’t quite sure what they were doing there or what was expected. Of the first group, I was only really interested in Toyanaga Toshiyuki, but mainly because of his work as a voice actor. The second group I saw included Miyano Mamoru (another voice actor) and everyone had much more to say.

The concert finished off with two ending themes — “F.G.K.S” and “On My Way”. It occurred to me that they hadn’t sang “Season” yet, which was recently voted the most popular song from the Tenimyu franchise on the official site. Ueshima-sensei (the dance mastermind behind choreography) came out and announced it as the last song. Deep down, I have to admit that is the kind of trivia only fans can remember.

 

If you liked this review, you can check out my review of the second Kuroshitsuji musical or see my list of the top ten anime musicals and stage shows.

Design Festa: Most awesome thing you've ever seen

While the Kuroshitsuji musical has the best-dressed audience, Design Festa attendees are the most original. A number of them were wearing their original creations, many of them using kimono fabric.

I arrived at 10:30am at the Big Sight knowing that it opened at around 11:00am. With my experience attending Comiket and the Tokyo International Anime Fair, I figured that that would get me inside the quickest. I needn’t have worried, since there was only a tiny queue. Many of the booth staff were still setting up at that time as well, so it wasn’t like I missed anything. You might as well arrive at a little past opening.

There was a huge variety of Stuff available to buy. At first glance, grandma-style Victoriana seemed to outstrip the goth Victoriana, but the latter was still there. One shop specialised in black gothic dresses with straps featuring crucified bunny rabbits.

I was amazed at the number of satirical T-shirts featuring un-PC depictions of Kim Jong-Il and other political figures, which I really don’t see much in Japan. There were torn shirts made from non-torn shirts, ordinary-looking jeans and patched together animal headpieces. I also saw a cool rabbit gasmark; but wear it once and you’re awesome, wear it twice and you’re that guy with the rabbit gasmask. There were also bars of home-made soap for sale, which intrigued me. I looked into it once and found I’d have to look for a lye (sodium hydroxide) supplier in Japan. That couldn’t be easy.

In the end, I bought two postcards by Akito, who seems to be inspired by H. R. Giger and anime. I would have loved to be able to buy artbooks from any of the booths or, even better, a collection from a selection of booths (yes, I realise that’s impossible). I don’t have anywhere to put the stuff on sale, or it’s not something I would wear or use, but it was so awesome I wanted to keep it to look at anyway. Photographs for that end (which are fine at most booths) seem mean-spirited.

 

Click on any of the photographs to enlarge.

 

Live painting area:

 

Design Festa: Live Painting Area Design Festa: Live Painting Area

 

Booths:

(My friends declared the giant plant-thing to be ‘kawaii’ and ‘cute’. What do you think?)

 

Design Festa: Cute or Not? Design Festa: Model City

 

Dolls:

 

Design Festa: Dolls Design Festa: Giant Ballerina Doll

 

More Booths:

(One of the booths specialised in making plastic keyrings with everyday objects subjected to a type of Japanese bondage called ‘kinbaku’. I thought this was awesome, but not everyone agreed!)

 

Design Festa: Onigiri Kinbaku Design Festa: University Students' Booth

 

There were two stages. One was bigger, indoors and had more mainstream acts. The other was outdoors, tending towards goth/punk/indie and was like a tiny Glastonbury festival. This was what kept me at Design Festa from the very start until closing. The atmosphere was amazing. The bar next to the stage had the worst beer I’ve ever had, while the French-style hotdog stand tasted great and used real sausages.

Bands:

(Jack and Sally, plus two of Kojinshugi Gekijo.)

 

Design Festa: Jack and Sally Design Festa: Kojinshugi Gekijo Design Festa: Kojinshugi Gekijo

 

Psydoll, one of my favourites:

 

Design Festa: Psydoll Design Festa: Psydoll Design Festa: Psydoll

 

N.S.D.P, who seemed to have lots of female fans:

 

Design Festa: N.S.D.P. Design Festa: N.S.D.P. Design Festa: N.S.D.P.

 

ENIGMATIC DRIVE did alt. jazz. I wouldn’t have said jazz was really my thing, but it was a great feeling at the end of the day to hear those notes echo into the sky as it got darker.

 

Design Festa: ENIGMATIC DRIVE

 

More than anything, I was left with a strong desire to create something or design something or just… DO something. Well at least I have a blog, I guess.

Musical Kuroshitsuji -The Most Beautiful DEATH in The World- Sen no Tamashii to Ochita Shinigami

Cast:
Sebastian Michaelis: Matsushita Yuuya (松下優也)
Ciel Phantomhive: Nishii Yukito (西井幸人)  
Eric Slingby: Saeki Taisuke (佐伯太輔)
Alan Humpfries: Matsumoto Shin’ya (松本慎也)
Grell Sutcliff: Uehara Takuya (植原卓也)
William T. Spears: Nagaoka Takuya (永岡卓也)
Ronald Knox: Yousuke Crawford (ヨウスケ・クロフォード)
Baldroy: Iwasaki Dai (岩﨑 大)
Finnian: Minami Shouta (南 翔太)
Mey-Rin: Igari Atsuko (猪狩敦子)
Undertaker: Izumi Shuuhei (和泉宗兵)
Viscount Druitt: Fujita Ray (藤田 玲)
Fred Abberline: Ise Naohiro (伊勢直弘)
Sharpe Hanks: Aoki Shigeto (青木隆敏)

 

Full Title: ミュージカル黒執事 -The Most Beautiful DEATH in The World- 千の魂と堕ちた死神
Transliterated: Musical Kuroshitsuji -The Most Beautiful DEATH in The World- Sen no Tamashii to Ochita Shinigami
Translated: Musical Kuroshitsuji -The Most Beautiful DEATH in The World- One Thousand Souls and a Fallen Shinigami
For obvious reasons, it will be referred to as ‘Kuromyu’ from now on.

 

WARNING: Spoilers for Musical Kuroshitsuji 2. Also assumes that you’ll be buying the DVD regardless of reviews, so favours description over the usual things found in reviews.

 

It was easy to tell who was going to see Kuromyu amongst those milling around Akasaka on a bright spring morning. They wore entirely black, many of them in Victorian-style capes and lacy dresses. Without a doubt, the best-dressed audience I’ve seen.

The musical starts without fanfare. The lights don’t go out or dim. I was sitting at the back reading a manga (“Number” by Tsubaki Kaori-sensei. Varies between awesome and awkward…) and when I looked up there were people on stage. No warning. Nothing. This scene continues as a silent human chess game with each team dressed entirely in either black or white.

I was lucky my manga wasn’t sufficiently engrossing, because soon a cloth-covered cage was wheeled into the centre of the stage and the whole theatre went pitch black. Ciel intones “God? There’s no God here.” So begins the musical; Ciel is in the cage in the centre and Sebastian appears above him, wearing a cape. This was funnier than it had any right to be.

The first song belongs to Sebastian and rightfully so. In the previous musical, they started with ordinary dialogue (rather than the dramatic monologue used here) and the three servants had the first song. It made for a strange start.

I was torn over one of the next scenes. It begins in the world of shinigami, with some of them clocking off work having taken the night shift and some arriving for the morning. All of the shinigami (Eric Slingby, Alan Humpfries, William T. Spears and Ronald Knox, plus extras) are there, except for Grell. William calls her out, referring to her as ‘he’. Grell appears stage left, announcing that’s she’s a ‘she’, not a ‘he’.

This temporarily ruined my image of William (‘temporarily’, because a few seconds later I decided a musical was hardly canon.). I saw him as a guy who plays by the rules and is constantly aware of his hourly rate. Now he’s a “human” resources nightmare and an arsehole. Ah, Kuromyu. You make it canon that a character is definitely transgender (which anyone reading the manga would know) and then you make it clear that she doesn’t deserve any respect within that canon.

This is also anime!Grell. I thought Takuya’s performance was spot-on in the previous musical, but now there’s too much of everything that was good before. Like Captain Jack Sparrow in the Pirates of the Caribbean sequels. It didn’t help that the first performance I saw was being filmed for the DVD, so everyone was even more over-the-top than usual.

The next sequence is a kind of eighties industrial dance about the Shinigami Haken. If it were a person, I’d hit it. It was awesome. They briefly reprised it for the curtain call too. Alan and Eric are properly introduced next and assigned to each other as partners in a case concerning a serial killer. They are long-time friends. Best friends. Really, really close friends, okay?

Skipping ahead a little, Ciel and Sebastian go to see Undertaker. There’s more fanservice than there ever was in the manga, but it’s less out of place when people are already bursting into song. This concept is nicely illustrated in this scene, when Undertaker says he’s not interested in laughing anymore, he wants to love. Since this is the jumping off point for an enka song and dance routine, I can’t complain. I don’t know if anyone reading this is familiar with enka, but today it’s linked with a romantic image of Showa Era Japan and songs about first love and drinking sake. It’s like the Hollywood golden age in terms of iconic figures and old-time sex symbols. So that’s the background to Sebastian’s song. It’s an act of pure fanservice, which is completely appropriate here.

Musical Kuroshitsuji -The Most Beautiful DEATH in The World- Sen no Tamashii to Ochita Shinigami

Ciel doesn’t appear much in this scene or any others really, but it’s nice that his kindergarten let him out early so he could take part.

In the next scene, I can only assume Sebastian and Grell slept together. It’s morning and Grell emerges dramatically from her bedroom panting that she had a hot night of passion while Sebastian seems unconvinced he slept with her. The second time I saw it, the build-up was even more suggestive… there were ropes (but Sebastian still seemed unimpressed in the morning). At breakfast, Sebastian announces Eric is the killer. Eric attacks and Grell hands Sebastian her Deathscythe. Eric escapes.

Viscount Druitt’s big song is next. He’s kidnapped two women and wants them to behave like pretty birds for him. They comply… in a fantasy sequence in which he sings a rock anthem and they chirrup, temporarily freed from their restraints. It was in bad taste, but I laughed. Eric shows up and Druitt realises he’s the real killer.

The first half concludes with Ciel ordering Sebastian to kill Eric.

The second half is a cross-dressing epic featuring Ciel’s much-loved pink and white dress. The reason? Druitt has organised a party to which only women and children are invited. Men are allowed only if accompanied by a woman. Sebastian teases Ciel and says that if he insists he’s not a kid, he’s going to have to go dressed as a woman. That’s… an original excuse. Grell will accompany Alan, which I thought was a nice touch, but then Alan appears in a dress too. Sebastian says it suits him better and Grell gets jealous.

Moving ahead a couple of scenes again, Alan and Eric are reunited. Eric reveals that he is trying to collect one thousand souls because it will cure Alan’s illness. They talk about flower keywords and the word assigned to the flower ‘erica’ is ‘loneliness’. They put down their shinigami glasses and leave together. Alan will not be able to see Eric’s sins anymore and says they are still partners.

It doesn’t end well for the two best friends. Eric has only one soul left to collect, so he attempts to kill Ciel. I’m sure you can guess who he kills instead.

Cue the cinematic record, with Eric and Alan reliving their past as very good friends. Eric is distraught and Sebastian kills him. With that, snow (and glitter) falls down, each flake a soul Eric collected.

The final song is ‘Hallucination’, sung as Ciel sleeps. It’s not so much a Kuroshitsuji song as a Matsushita Yuuya song. The final speech is by Sebastian, which goes something like this:

“I have little interest in collecting one thousand souls. I want only one. That would be yours, bocchan. According to our contract. After all… I’m a devil of a butler.”

Really? Let’s rephrase it: “I have no interest in amassing one thousand sandwiches, I just want one… this delicious cheese and ham one. For the next fifty years, I will wait solely for this sandwich.”

Curtain call one: Sebastian picked up Ciel in his arms and carried him off, so William picked up Ronald too.
Curtain call two: Sebastian lifted Ciel onto his back. William and Ronald copied it, with William adjusting his glasses magnificently as he rode Ronald out. I like William’s actor very much indeed.

Overall, I loved this musical, but I had some serious (albeit brief) problems with it. It seems to be moving further towards the anime version than the last musical and I hope that trend won’t continue. There were some memorable songs, particularly the Shinigami Haken one and the main theme. If you want a more blow-by-blow account from Spacecat, click here (you’ll have to scroll). Or you can read my list of the top ten anime musicals

King of Thorn Anime Movie Review

Cast:
Kasumi Ishiki: Hanazawa Kana
Marco Owen: Morikawa Toshiyuki
Shizuku Ishiki: Sendai Eri
Katherine Turner: Oohara Sayaka
Timothy “Tim” Laisenbach: Yajima Akiko
Ron Portman: Nomura Kenji
Peter Stevens: Miki Shin’ichirou
Ivan Coral Vega: Isobe Tsutomu
Alessandro Peccino: Hirota Kousei
Laura Owen: Kawasumi Ayako
Alice: Kuno Misaki
Walter: Fujita Yoshinori

 

The following review has mild spoilers for Ibara no Ou: King of Thorn. I enjoyed the movie, but major spoilers will kill it for you. Go see it first.

 

I came away from Ibara no Ou: King of Thorn feeling elated, like I’d seen something amazing. This was primarily due to the movie’s climactic ‘genre twist’ that previously had many fans giving up on the manga. Essentially, the thing that sold it for me was the reason why other people didn’t like the original work.

The anime begins as creepy science-fiction survival horror. In the first scene (as shown in the trailer), a woman plunges to her death from a New York skyscraper and smashes into the pavement, having been turned to stone. There then follows a massive infodump in the form of TV news footage describing the so-called Medusa Virus’ spread across the world.

The action then moves to Scotland, where busloads of people infected with the Medusa Virus are travelling to a cryonics lab run by a cult called Venus Gate in the hope of finding a cure. What could possibly go wrong?

When these people wake up from their induced sleep, they find monstrous bats nesting in the cryonic pod chamber and thorny vines grown up around the pods. The monsters quickly dispose of the generic characters, leaving behind those with distinctive character designs. The survivors decide to fight their way out.

Up until halfway through it was generic survival horror with the main characters alternately fighting and running away from monsters. In fact, it’s so generic that you can predict who will die and in what order with this handy chart. Consider the African-American man (Ron) and the little boy (Tim). Do you know which will die and how soon? No? Then clearly you don’t watch many horror movies.

What stops this section from being a step-down from standard Hollywood horror (which at least knows its genre well enough to try to subvert it) are the hints that Something Deeper Is Going On. One of the first clues is that the female lead’s name is Ishiki, meaning awareness or consciousness. Furthermore, the male lead has visions of her surrounded by thorns which seem to be connected to her. Oh, and she’s a twin. That’s suspicious in its own right. We also know the lab is run by a cult. Those genre-savvy enough to be bored by the paint-by-numbers handling of the first half will probably realise there’s more to the plot.

I’ll leave the review here. The revelations soon start piling up, throwing everything that went before it in a new light. Just about everything in the first act, even the annoying reporter trying to interview people as they entered cold sleep, was a Chekhovian gun waiting to go off later. That’s why I left the cinema feeling the way I did. I love massive, complicated mindscrews and this did it well. But the ending is key and to describe it would be to ruin it. You’ll have to sit through the generic horror to get the payoff and that’s just the way it is. If you really must know, the Wikipedia page for the manga will point you in the right direction.

The movie is almost certainly heading overseas (America, at least). There’s an English version of the official site and a great deal of the onscreen writing is in English. But if the wait makes you feel bad, just remember we don’t get Iron Man 2 until June 11th.

Bakuon Film Festival

The Bakuon Film Festival is held in Tokyo (Kichijouji) and runs from May 28th to June 12th. Amongst many other films are two cult classics: Akira and Tetsuo, The Iron Man (Just 「鉄男」 in Japanese).

Akira is one of the first anime movies many Western fans saw. It has a strong soundtrack, cool motorbikes and an iconic showdown where the two main characters scream each other’s names. A whole chunk of pop culture reference is missing from your life if you haven’t seen this.

As for Tetsuo… I don’t really have a genre for you. Is ‘metal fetishist’ a genre? I’m not sure I can stomach seeing this again on the big screen, but there will be plenty of people out there who will.

There are a few other movies that look worth seeing, although I’ve haven’t seen them myself – Yomigaeri no Chi is one that stands out. You can find the full list of screening times and movie information at the official site.

Happy landscape!

When Nova went bankrupt, my partner and I managed to rescue an entire binliner of tiny packets of tissues with advertisements featuring the Nova bunny inside them. This was great as we’d been left without money to buy luxuries like toilet paper.

Packets of tissues with fliers advertising local businesses are often handed out around train stations and busy shopping streets in Japan. As a foreigner (specifically, a Caucasian otaku goth who has never seen daylight), I get ignored much of the time though. The people handing them out suddenly have to rummage around for more tissues or fliers. Or they dash across to a potential customer further away, hoping I’ll have walked on by the time they’re back in position. Of course, no one owes me free tissues, but I don’t owe them my business either. I remember their names.

Free samples are even harder to get. I’ve been refused everything from green tea to tiny packets of ramen. Doesn’t matter, just narrows down my choices when I choose from their competitors’ brands.

Conversely, I remember the advertisers who don’t look away when I walk past.

Yesterday, I was picking up some stuff in Seiyu (literally the Walmart of Japan), when a saleswoman smiled at me and — without my asking — handed me a free sample of lotion which I immediately stashed in my bag. As I got to the next escalator, a saleswoman from the same company attempted to hand me another one. I was amazed at their dedication and vowed to pay attention to whatever they were selling.

When I got home, I was able to look more closely at what they’d given me… Skin-whitening cream.

Butterfly resting on the ruins of Oda Nobunaga's palace.

This photo was taken in Gifu Prefecture at the base of Mt. Kinka (金崋山・きんかざん), where you can also find Gifu Castle. The butterfly is resting on the ruins of Oda Nobunaga’s mansion (織田信長公居館跡・おだのぶながこうきょかんあと).